![]() This work is a reaction to feminized tropes in popular media and modern technology, and establishes a parallel between the ways that women and machines are talked about, treated, and – in the case of machines – designed to look and behave. ![]() Thus, this article describes the presentation of Babyface, a machine-augmented, participatory contemporary dance performance. This paper reports on one such project where, along the route to this inquiry, creation of machine augmentation – of both the performer and audience member – was necessary to communicate the artistic ideas grappled with therein. ![]() One possible response to this is through artistic creation of dance performance. Representations of gender in new technologies like the Siri, Pepper, and Sophia robotic assistants, as well as the commodification of features associated with gender on platforms like Instagram, inspire questions about how and whether robotic tools can have gender and what it means to people if they do.
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